Wednesday, 11 February 2026
The World's Scariest AI Company
Here's another set of feature illustrations for BBC Science Focus' current issue taking a look at Palantir - The World's Scariest AI Company. The brief was to create collages representing the various facets of the most influential and least understood tech company. Covering its benevolent and malevolent uses across areas such as healthcare and militaristic applications. Once again I had a selection of photographic assets to treat in Photoshop and create illustrative compositions to fit particular print spaces on the page. Always enjoy these commissions from Art Editor Joe Eden. See the work on the main site here also.
Friday, 6 February 2026
AI-wakening
I've been having a bit of 3d experimentation fun this week with Cinema 4d/Redshift, After Effects and a dusted-off 3d android bust I modelled for an AI themed BBC Science Focus cover concept in 2023. That job eventually went in a different direction but I always fancied revisiting this idea to get it out of my system. Initially, I created the third blue-tinged visual as a Redshift render test that I took into Photoshop for further treatment to get the kind of look I was after. I then developed the lighting, textures and illuminated tech interior to bring a little life to the humanoid and finalised the orange and yellow iterations. When I was happy with the visuals I decided to render out an animated version featuring the AI emerging from a primordial tech-soup and giving us a little spin - then presumably overwhelming us all. Hey ho. You can see the work on the main site also here.
Tuesday, 3 February 2026
Mental Flexibility
Here's a set of feature illustrations for a BBC Science Focus issue from last year that slipped through the blog net. They're for an article on the idea of Mental Flexibility being the 'blueprint for true resilience' rather than dogged pushing through at all costs. The illustrations are digital collages created from supplied photography mixed in with various textural and design elements. I love working in this style and making the compositions fit specific spaces in the print issue. Thanks again to Joe Eden for the commission. See the work on the main site here.
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