Oasis Live '25 Tour Visuals

After enjoying working on Oasis' Stop Crying Your Heart Out visualiser earlier in the year I was super excited to be asked by Chris Curtis at I'm Your Boss Films to work on the animated visuals for the gargantuan Oasis Live '25 Tour with a crack team of talented illustrators and animators. Featured here are live videos I took at Wembley on August 2nd and a series of stills from the two song visuals I animated.

First up was the animation for Stand By Me working with Director Chris Curtis and ace collage artist Mia Angioy on Art Direction duties. The overall theme was that of an emotive scrapbook-esque journey through old family photos and Mia supplied some beautifully collaged style frames for me to begin structuring the animation around. The format was super-wide with space on the outer edges for live band video feeds so I designed moving textured backgrounds based on blocks of flats and unfolding paper effects to suit the collage style and content. The hefty After Effects project evolved as Mia supplied further collaged material, photos and some lovely stop motion unfolding imagery to work with. The majority of photos featured came from the family albums of the production team, including some of mine, and it was a joy to animate and design the camera movement through them all. Really happy with the final animation and it was unbelievable to watch (and video) it live at Wembley with the huge crowd singing along. 

 

The second animation for Champagne Supernova had originally taken shape as a visualiser to appear on Youtube along with Stop Crying Your Heart Out and other recently remastered releases. I'd created the original animation with Director Chris Curtis and super talented Art Director Mario Wagner and was really proud of it so when I heard it would be graduating to the big concert screen I was elated. The concept for this was a continual upward looping journey through epic vistas that would gradually become stranger and increasingly psychedelic as the song progressed. Taking Mario's really strong style frames as a starting point I developed the After Effects journey through volcanic lakes, cloud cities, underwater kingdoms and space canyons and loved making every frame of it. For the tour visuals I needed to expand the original 4k 16:9 frame to fill the super wide tour format and make a few tweaks and changes to improve it's impact at that scale. I don't mind saying that it's probably my favourite Oasis song so it was overwhelming to watch it at the end of an amazing show at Wembley followed by a huge fireworks display. A proper career highlight and very grateful to have had the opportunity to work on it.

WIA2025 Shortlist

Very pleased to get the news update that my longlisted WIA2025 entry made it to the shortlist! 

Dance Valkyrie

 

Here's the latest Dance Dance Dance poster design for their upcoming evening at Margate Arts Club. Another animated offering, this time designed around a sky chariot-riding DJ valkyrie of some sort.  Always fun to indulge my psy-fi predilictions on these! See the full poster series on the site here. 

Politico

Here's a nice little commission for Politico for an article on Trump's allies pushing a bill through the U.S. House to steamroll state AI regulations and controls. I worked through a few initial ideas with art director Jade Cuevas and this chosen piece seemed to convey the themes with the most visual impact in print and online. See it on the site here also.

3x3 Merit Haul

Over the moon to hear that three of my entries gained a Merit in this year's 3x3 Illustration Show No.22 and will be published in the Annual and appear in the online gallery. My illustration for Al Majalla Stellar Competition with art director Sara Loane scored in the Editorial category. Merit two for my AI Weather Prediction piece with Caitlin Choi for Wall Street Journal's Future of Everything in the Newspaper Cover category. Finally, a merit for my illustrations in D. Zollicoffer's Game On Zhuri Book 2 published by Reycraft Books in the Children's Illustration (Published) category. Phew! 

Stop Crying Your Heart Out Visualiser

Back in May Chris Curtis at I'm Your Boss Films got in touch about working on a 'visualiser' for Oasis to celebrate the launch of the remastered Time Flies singles collection and generally get Youtube audiences pumped for the Live Tour this year. I was happy to jump onboard this exciting opportunity and join an amazing team of creators already busy at work mass-producing incredible Oasis visualisers, which I soon discovered were essentially animated music videos sans the fiddly lyric bits.

I was tasked with creating the Stop Crying Your Heart Out visualiser with a quick turnaround time and got straight to work. Chris and art director Mario Wagner had established a lovely retro look and feel with a library of assets to play with so I pillaged the image and video banks and added a few of my own elements to the mix. The process was an adhoc and intuitive construction of the animation in After Effects around a loose narrative as it formed in my mind to the looping music based on memory, dreams, and capturing nostalgia. It was a tad stressful turning it around in a few days but creatively energising and rewarding and I'm pleased with how it came out. There's a wonderful collection of visualisers on the Oasis Youtube channel to check out and more being produced. Excitingly, this process has lead on to greater things and has been something of a warm-up for getting to work on the Live Tour concert visuals, more on which to come. 

WIA2025 Longlist

 Very happy to be a longlisted artist in this year's World Illustration Awards. My 'AI weather prediction' illustrations and animation for Wall Street Journal's The Future Of Everything were selected in the Science and Technology category. Really enjoyed this one, a great blend of all my interests and 2d/3d skills, and particularly pleased with how it works within the lovely design of the tall format print cover. Thanks to Caitlin Choi for the commission and wonderful art direction. See the entry on the WIA2025 site here.

American Illustration 44 Win

Super pleased to be selected as a Chosen Winner in the American Illustration 44 Children's Book Series category. Two illustrations from the second book in D. Zollicoffer's Game On, Zhuri series, Attack Of The Robo-Bugs, made it through the judging process and will appear as part of the online archive collection. You can see more illustrations from the book here.

Dance Dance Dance For The Win

Here's the latest Dance Dance Dance poster design for the regular Margate Arts Club event hosted by Katie & Joe. This one continues the atmospheric style refresh from the previous poster with illustrated type framing an amphibious character having a golden hour dip. I also tried out a short and simple animated version for social media posted here. 

Speaking of the previous poster I was very happy to hear it had picked up an Applied Arts award for Advertising Illustration and will appear in the Annual Awards issue and online here.

Irvine Innovation

Here's a recent commission for an Irvine Standard feature on the Californian city's top moments and leaders of innovation from past to present. The brief required two main collage illustrations, present day and historical, and a number of portraits of Irvine 'game changers'. Really enjoyed working with the science/tech themes and giving the whole set a consistent look and feel. Thanks to Mindy Benham for the commission. See the work on the site here also.

NARF Food Allergy Challenge

Here’s a fun and challenging job from last year working with longtime collaborators Feed Films for The Natasha Allergy Research Foundation. I was tasked with creating the bulk of the post-production motion graphics on The Food Allergy Challenge, a short film that was part of the recently launched Allergy School offering free, practical resources to help teachers create inclusive and safe environments for children with food allergies.

The brief and script called for the creation of a 3d character of some sort that a team of real children could interact with along with an interface that could house a fully designed and animated allergy-based quiz. The screen took priority so for the initial designs I played with the idea of a fun but bulky physical tablet display that could hover in front of the team. I created some virtual camera views for the shoot with 3d models of the tablet and team that soon ran up against issues such as the back of a large device obscuring the children in some camera angles. Almost as an aside I had designed a small flying robot character that could emerge from the large tablet. It soon made much more sense, logically and practically, for this small hovering robot host to be the focus and be able to project virtual transparent screens into a space in front of the children that they could interact with. Crucially, it was also easier to manipulate these screens to work for all the potential camera angles.

I set about designing the interactive screens while the short shoot was happening then it was full steam ahead on a rapid post-production schedule. The director, and old buddy, Mark Taplin did a terrific job with the shoot and edited together a great looking working cut of the film so I knew exactly which scenes required visual effects. All of the robot host scenes were then modelled, lit and animated in Cinema 4d and rendered with Redshift to composite with the 2d/3d screen layers and animations in After Effects. A number of sequences featured the children in ‘hype mode’ which had them dancing along with animated backgrounds made from 2d and 3d elements all roto-brushed and composited with After Effects also.

It was quite an intense but satisfying couple of weeks of post-production and I was happy with the results. I’ve included here a VFX reel compilation from the final film, some stills and a selection of initial development ideas and a quick tracking motion test animation featuring the robot and an early screen design.

I’m very pleased to say that The Food Allergy Challenge has been shortlisted at the Brand Film Awards for Best Post-Production Motion Graphics for Feed Films and Mark Taplin is up for a well-deserved Best Director nomination. Winners are announced at the end of April. You can see this on the main site along with other animation work here.

Virginia Tech

It's been a busy couple of months since my last post so playing catch-up with a few rat-a-tat updates. Here's an enjoyable return to the world of Virginia Tech after my first commission with them in 2020 for a magazine feature on The Future Of Work. This brief required a little reworking of existing illustrations and developing new compositions based on their 'Research Frontiers' in AI, Wireless, Security, Health and Quantum Computing. The Photoshop collages had to be quite flexible with composable layered elements able to fit a variety of digital and print ads sizes. Enjoyed the process of revisiting and expanding the visual language and colour palette of these illustrations working with Brand Creative Director Tiffany Pruden. You can also see these on the main site here.

Let's Dance

Here's the first new Dance Dance Dance poster illustration and design of 2025 with a bit of a stylistic tweaking. Continuing the 'Sci-chedelic' vibe and illustrated type of the series so far but with a more atmospheric/textural approach to the imagery. Also having me some fun playing with True Grit brushes and texture effects. I've included here the progress from basic black and white comp to colour test and developed rough below. See the poster series on the main site here.

World Cup 2034

Here's a commission for the Al Majalla print and online edition for a feature on Saudi Arabia hosting the 2034 World Cup. The brief was a great excuse to work on a fun double page spread digital collage of football and Saudi themed visuals along with a couple of smaller spots. Thanks to Sara Loane for the enjoyable commission. You can see further work for Al Majalla on the site here.