Car Talk

Here's a little catch up on some commissions for longtime client Car And Driver magazine from the last year. The most recent was for an article on the state of data-hungry connected vehicle technologies such as OnStar in the US. The illustration was designed to work for a specific page layout with floating elements and a full bleed background as well as a more open online format. The second was also an unusual vertical format for a rather niche sidebar tracing the history of Mercedes Benz naming schemes since the first vehicle in 1886. Always enjoyable commissions, thanks to Darin Johnson and Nicole Lazarus for these. See more Car And Driver work on the site here. 

Energising The Future

Here's a recent illustration project for the University of Houston's publication Energy@Scale on how the 'Energy University' is shaping the future of global energy. The brief required a cover and feature collage plus individual portraits of four of the main figureheads of the University's energy programme. I devised a visual approach and palette that could work consistently across all the illustrations and enjoyed digitally collaging the Houston cityscapes with energy and fuel production imagery in Photoshop. You can also see the illustrations on the site here.

Saudi Entertainment

Here's a recent commission for Al Majalla on the current state of Saudi  Arabian entertainment and the expansion of country's culture and the arts. A large part of the article looked at the film and television industry so I focussed on that for the main illustration, particularly the burgeoning cinema and film festival scene. The digital collages were created in Photoshop. Thanks to Sara Loane for the commission. See more work for AL Majalla here.

Dreamscapes

Here's a fun commission for a BBC Science Focus feature 'Welcome to the Dream World' on technology that might harness the power of lucid dreaming. The brief called for a couple of dream scene illustrations and a composition based on some of the tech and people involved. Really enjoyed digitally collaging these in Photoshop using a combination of stock imagery, 2d/3d elements and textures - a dream job you might say <groan>. Thanks to Joe Eden for the commission as always. See more Focus work on the site here.

Dance Doubles

I've recently been moving studio and off on my hols for a couple of weeks so playing catch up with a double hit of Dance Dance Dance posters. These are my 13th and 14th designs so I've tweaked the art and typography style again to try and keep it phresh and interesting. I'm still enjoying playing with mysterious psy-fi characters mucking about in abstact landscapes and future cities though so sue me. Thanks to Katie & Joe as always. Dance on! See the whole series of posters on the main site here.

Submissions

Over the course of the year I love to enter competitions with a creative brief. They come with a ready-made theme, the similar artistic freedom of a personal project and the potential bonus upside of some nice exposure if your submission does well. If they get nowhere then you've had fun making it and spread your creative wings a little at the same time. Here are a few of my recent submissions that fit firmly into that category.

I really enjoy tackling The Folio Society Book Illustration Awards literary briefs every year if I can. The subject matter is usually something I wouldn't typically get commissioned to do and the stories are always imaginative and worth exploring creatively. This year it was the classic Grimm Brothers dark fairy tale Rapunzel and I found the immortal 'Let Down Your Hair' passage irresistible. The previous year was Neil Gaiman's similarly dark and strange The Truth Is a Cave in the Black Mountains and I depicted a climactic scene within the titular cave 'From Out Of The Shadows It Came'. Both of these stories coincidentally featured red-haired characters prominently and I seem to have gravitated towards that for some reason. I really enjoyed exploring more painterly atmospheric digital techniques with these. You can see other Folio Society submissions here and an entry for Sherlock that made it to the shortlist in 2018 here.

Another project with a great creative brief, and a good cause to boot, is Secret 7" . People are invited to submit a 7" cover artwork for a choice of a track from seven musical artists with the final selected 700 submissions sold to auction for charity. I didn't make the cut this time but I've been lucky enough to get selected for the show a few times in the past and love giving it a go at each opportunity. For 2025 I created covers for Scissor Sisters 'Return To Oz' and The Cure's 'Warsong'. For the former I focussed on a druggy depiction of Emerald City and the latter an out of left field response to vague lyrics and a sudden obsession with a tech-militaristic portrayal of a Portugeuse man o'war. I experimented with a 3d style for these, creating and lighting the models in Cinema 4d with digital comping and finishing in Photoshop. There's a couple of rougher alternative takes added here also. See all previous work for Secret 7" here.

Mega Pets Escape!

It was fantastic to be asked back again this year to illustrate D. Zollicoffer's continuing adventures of Zhuri and her pals in the third instalment of Game On, Zhuri!: Mega Pets Escape! This time, the video game world escapes into reality in the form of virtual pets - Roxy the dog, the Swift Brother snakes and Crystal the snow dragon. Zhuri, Keyona and Eli must capture the pets and return them safely to the virtual world with much ensuing hijinks. It was great fun creating all the creatures, along with some new characters, in the slightly more grounded setting of Zhuri's real world. Again, the illustrations were put together with digital collage techniques, and some mouse-hand drawing, in Photoshop with a few elements crafted in 3d. Many thanks to D. Zollicoffer, Katya Schultz, Billy Ray and the team at Benchmark / Reycraft Publishing for another wonderful illustration experience in children's book publishing. You can also see more work on the main site here along with Book 1 and Book 2.

Beakdancers

Here's the latest poster design for Dance Dance Dance at Margate Arts Club tomorrow. This one features a couple of volucrine beaky blinders ready for a swan dive into the psychopolis. See the full set of posters on the site here.

Wired For Weather

Here's an unusual online commission (for me) for a collaboration between Adweek and The Weather Company looking at how 'Humans are Wired for Weather' when it comes to marketing. The brief was to provide all the illustrations and an opening animation for an immersive story brought to live with Shorthand's scroll-based features. This meant that some of the main illustrations would build on gradually as you scrolled down the web site so I had to consider the design stages of how they would appear over four frames - which was a first for me.  A collage illustration style was required for this featuring contemporary photography, graphic/diagrammatic shapes with flat, bright colours and a science-forward approach and the modular compositions helped with building the images as the user scrolled down. The opening animation loop was created with the traditional After Effects route. A fun and interesting project overall put together with engaging web design as you can see with the final product online here.

TIME100 AI 2025

Here's a great commission for Time Magazine and their annual TIME 100 AI 2025 list of the most influential people working in Artificial Intelligence. The loose brief was to create an image that was interesting and abstract and conveyed the concept of AI without being too obvious. The design director Chelsea Kardokus had referred to some of my 3d work in the past, such as the Secret 7" chrome swan and the BBC Science Focus Dark Universe cover, so it was a no-brainer to turn to Cinema 4d to begin creating this piece.

My first ideas revolved around the notion of a cybernetic flower of some sort with metal thorns to convey the notion of a flourishing technology with potentially very prickly elements to it. I really enjoyed modelling the flower and experimenting with textures and lighting but soon decided to move on to another train of thought. The image of a spherical egg-like object came to mind with an all-seeing eye, suggestive of the birth of a powerful new technology possibly, so I modelled and rendered that to present with my other concepts, some of which are shown here. The cyber-egg won the day so I developed that further in Cinema 4d with a ripple effect beneath, catching some interesting reflections, and took the renders into Photoshop to refine the eye with its luminous data-strewn field of view.

I've included here a Cinema 4d render of the basic model and an alternative version with subtly different lighting and textures. A really satisfying and enjoyable job and it's a real pleasure to see it across the Time website and print edition so many thanks to Chelsea for taking a chance on me. You can see this on the website here also.